Charlotte Brontë, Luddites, and AI

After Charlotte Brontë wowed her world with Jane Eyre in 1847, she disappointed her reading audience by stepping away from Gothic romance to write Shirley, at least in part about the Luddites of the early 19th century.  (Both books were published under the masculine pseudonym Currer Bell.) The Luddites, you might remember, were a group of craftsmen who were protesting the installation of semi-automated weaving machines, making skilled weavers redundant.  Shirley, as it turns out, is more about gender, class and economic roles and less about the Luddites per se, and yet is a truly wonderful book with notable and quotable insights on all facets of life.  But, in the end, it shows us a world that is capitulating to technology with the same inevitability that our own world is.

I reread Shirley because I was thinking about Artificial Intelligence.  AI is everywhere.  AI is trying to help me (go away!) write this blog.  The very existence of AI makes me doubt the pictures I see and facts I read.  In the past, mechanization and automation have threatened manual workers and artisans the most (think about type setters), but AI threatens the white-collar worker, the computer programmer, the teacher, the content provider.  The Luddites in Brontë’s novel flail against “progress” to almost no avail.   Similarly, it is beginning to look like the creeping hegemony of AI is inevitable.

But back to Shirley.  When the Luddites initially destroy a loom in transit, this message is sent to the mill owner: “Take this as a warning from men who were starving, and have starving wives and children to go home to when they have done this deed.”  And not all the children are at home, as the mills take root and hire the cheapest unskilled labor:

The mill windows were alight [because it was still dark out], the bell still rung loud, and now the little children can running in,  in too great a hurry, let us hope, to feel very much nipped by the inclement air; and indeed, by contrast, perhaps the morning appeared rather favourable to them than otherwise, for they had often come to their work that winter through snowstorms, through heavy rain, through hard frost….

[Later] It was eight o’clock; the mill lights were all extinguished; the signal was given for breakfast; the children, released for half an hour from toil, betook themselves to the little tin cans which held their coffee, and to the small baskets which contained their allowance of bread.  Let us hope they have enough to eat; it would be a pity otherwise.  (from Chapter V)

Our anonymous but omniscient narrator clearly has his tongue in his cheek.  These children never have enough to eat.  And yet the mills expand, the new equipment is finally delivered, and we move from the plight of hungry children to the romantic interests of the local gentry, including the mill owner.

In fact, Shirley ends in a double-wedding and a brilliant future for the local textile mill.  Brontë’s narrator wraps up by looking into the future and telling us about his visit to the area long after the weddings and the new machinery:

The other day I passed the Hollow, which tradition says was once green, and lone, and wild; and there I saw the manufacturer’s daydreams embodied in substantial stone and brick and ashes – the cinder-black highway, the cottages, and the cottage gardens; there I saw a mighty mill, and a chimney ambitious as the tower of Babel…. (from Chapter XXXVII)

Yes, there are worker’s cottages with gardens, but there is also the chimney and the ash in this once green corner of England.

For many years, optimistic thinkers envisioned labor-saving technology as helping to create a kind of utopia, as giving everyone a chance to use their minds instead of their bodies. Manual workers would unbend their backs and pick up a book or a musical instrument.   Eric Hoffer envisioned university-like campuses for adults, freed from the workplace, who wanted to study in any area they were interested in.  Edward Bellamy imagined a world full of music, books, study, and communal dining.  But instead of having technology free us up to use our minds, it appears that we will have no need of our minds – AI will take care of it.   It might also be noted that Samuel Butler and William Morris wrote utopias where technology is strictly controlled for the benefit of humankind.

Just as the pastoral town in Brontë’s book ultimately and inevitably succumbs to the mill, I have recently watched one area of life after another capitulate to AI.  You might look at the front-page article in today’s NYTimes: “AI on Campus Casting Chatbot as Study Buddy.” The most disappointing defeat has been the way AI has been accepted by educators.  “The students are going to use it anyway,” they often plead, “so we might as well encourage them to use it well.”  That might be true, but I’m suspicious that it would be AI doing the “using” and not the student.  If things are made too easy for us, we get soft – in mind and body.  And if we don’t resist AI now, it is unlikely we will have the mental resources to do it years from now.  The Luddites lost and they lost badly.  But, at least, they realized what they were losing.  And they tried to do something about it.

For a story about how artificial intelligence is not always the answer, you might try my “Two New Apps,” or read almost anything by Ray Bradbury.