I have always been interested in the concept of time, at once fascinated with it and threatened by it. Back in graduate school, I wrote essays about the depiction of time in literature from different time periods. For example, in The Canterbury Tales we find multiple ways of telling time. The new technology (mechanical clocks) was so recent that it had not had time, as yet, to eradicate prior knowledge (unlike our current era, when many children growing up in the digital age cannot tell time on an analogue clock). In one short passage, Chaucer refers to the time in at least four different ways: as a portion of the “artificial day”, by the length of the shadows, by the degrees of inclination of the sun, and by the hour of the “clokke.” The clock in this case was probably read by ear, by the chimes, and emanated often from the local monastery, reminding all that all time was God’s time. It is of note that early Christians did not believe in usury because, among other reasons, it involved making money through time and time belonged to God.
By Jonathan Swift’s era, however, usury was accepted, and time was dominated by mechanical devices. Not only did clocks have faces and more exact calibration, but they were even carried in one’s pocket, something which puzzled the Lilliputians when they encountered Gulliver:
He [Gulliver] put this engine [pocket watch] into our ears, which made an incessant noise, like that of a water-mill: and we conjecture it is either some unknown animal, or the god that he worships; but we are more inclined to the latter opinion, because he assured us, (if we understood him right, for he expressed himself very imperfectly) that he seldom did anything without consulting it. He called it his oracle, and said, it pointed out the time for every action of his life.
I was always a creature of the clock. When I was a working mother with two children, I had no choice. Every moment was scheduled. I was good at it, and it became a habit. What I am apparently not so good at is slowing down. There is a quote that is making the rounds these days from the Nigerian philosopher Bayo Akomolafe: “The times are urgent; let us slow down.” He also said that “The idea of slowing down is not about getting answers, it is about questioning our questions.” Akomolafe is talking about global humanitarian issues like climate change and refugee displacement, but slowness is also, it seems to me, necessary to navigate old age. First of all, we are no longer built for speed. Almost every fall that my mother took in the latter part of her life happened when she was rushing to answer a phone, tending to a barking dog, or some such non-emergency. Secondly, haste makes waste. We don’t have the energy or money to cope with larger mistakes. Lastly, we are approaching the end. It is time to put on the brakes and look around us before we become stardust again.
All of this makes sense, but – nevertheless – old habits and values don’t change easily. For a simple example, I find myself frustrated with fast pieces on the piano. I can play them, but not at accepted tempo, not fast enough. I am just playing for myself (and my husband who, locked in his study, is an involuntary audience). Would I rather play the piece well but very slowly or fast with mistakes and frustrations? Slow practice has always been recommended. “If you practice something slowly, you forget it slowly. If you practice something fast, you forget it fast,” advised Itzhak Perlman. And then there is this from Saint-Saens: “One must practice slowly, then more slowly, and finally slowly.” Since all the piano playing I do could be labeled as “practice,” slow is fine with me and enables me to play pieces that would ordinarily be beyond me. It is a trick, however, to go slowly and keep an even tempo; this is true both on the piano and in life, I think.
The same is true for reading and writing. There is this from an interview with one of my favorite writers, Lewis Mumford, which took place when he was in his eighties and still producing books:
The really annoying part of the aging process is not what happens externally—one has plenty of time to get prepared for that—but what happens internally,” he says. “One knows one isn’t quite as good. One’s energies are lower. When I was writing my major books, I would do between 3,000 and 4,000 words in the morning, between 8 and 11:30. Now I’m very happy to do 1,500 or 2,000 words.
“Now I’m very happy to ….” There is an acceptance of reality in Mumford that is graceful and wise. And the thought that goes into that smaller word count may make for better prose than the facile writing of our youth. Early readers (before the 17th century) spoke words aloud as they read. Until recently writers used pen and paper to write and revised with cross-outs and clipped-on inserts. These practices were slower, but surely made for better understanding.
Slowness is in the air. We are now being told that slow learning is better than fast; slow thought is a necessary balance to fast intuitive thinking. And, of course, slow food is better than fast food. One of my children recently told me that he couldn’t imagine spending the time we spend on food shopping, planning, preparation and clean-up. I could have argued that, once you have a personal catalogue of recipes and experience in preparing them, it does not take that much more time than driving to a restaurant, waiting for your server, etc. But the real answer is that preparing food is a worthwhile activity in itself – and what would you be doing if you weren’t slicing vegetables for tonight’s stew? I could go on and on, but talking to younger people almost never convinces them, and I have better things to do.
“Quickening” is the term we use for the very first detectible movement of a fetus in its mother’s womb. It is a big moment for pregnant mothers and marks the first independent action of a new life. If the beginning of life is “quickening,” maybe we need an equivalent “slowening” for the last part of life. And perhaps, by accepting our slowness, by appreciating it, we are accepting one of the greatest gifts of old age.
If you are interested in the development of timekeeping, Lewis Mumford’s Technics and Civilization is highly recommended, although I believe it is out of print. Anything by Mumford is highly recommended. I have also posted here my old essay on the depiction of time in The Canterbury Tales.
And lastly, I just read this morning’s New York Times Magazine, where there is an article on the peace and joy of slow driving. I am already a right lane person.