Tag: Life

“Something Good” – Wendell Berry and Remembering When We Made a Difference

Nothing comes from nothing
Nothing ever could
So somewhere in my youth or childhood
I must have done something good. (from “Something Good,” The Sound of Music)

Last week, I wrote about the regrets that we all have about our pasts and wondered about the best way to handle them in our old age.  Reading Wendell Berry’s new book, Marce Catlett: The Force of a Story, made me think about the “good” things from the past.  If you’re like me, you spend much more time with your shames and regrets than you do with “worthy” acts.  What things in our lives have been for the good, what experiences have we had and stories have we told that made a positive difference, which resulted in “something good”?  The fortunate among us have had an old friend, student, or co-worker thank us years later for something we did not even remember doing for them or for kind words that we can’t even recall at all.  It would probably do us all good to dwell more often on the positive aspects of our lives and less often on our (numerous) regrets.

Berry’s book is narrated by Andy, the very elderly grandson of Marce Catlett.  Long ago, Marc stood up to the Duke Tobacco interests by sharing his experience with his neighbors.  His oft-repeated story of one day, told over and over, shaped the lives of all those around him in the wonderful world of Port William.  The day was devastating, but the main part of the story is about how Marce immediately picked up and carried on and worked with fellow farmers so that such a day would never happen to them again.

First, let me say that Wendell Berry just published this book at the age of 91, and it is a true gift for all of us.  Marce Catlett  is a spare book written with a sledgehammer, and not just a story about 1917.  Berry has a pretty good idea about not only what is wrong in Washington these days, but what is wrong with all of us.  And our children.    The novel can be read in a day, but it would take much longer than a day to forget it – and so it was with Marce Catlett’s story about coming home from a tobacco auction with less money in his pocket than it had taken him to grow the crop.

Wendell Berry is a wonderful writer about wonderful things; many of us know his poetry (think of “The Peace of Wild Things” or “How to be A Poet).   We also have read his essays, which go back to the 1960s and include gems like “Living in the Presence of Fear” and “Why I’m Not Going to Buy a Computer.”  But it is his fiction – the novels and stories of Port William – that future generations will look back on for a prophetic voice that was seldom heeded.  Marce Catlett is simply the culmination of this story.  You do not have to have read any of the others to appreciate this latest (but hopefully not last) work though; Berry fills us in.  I was greatly disappointed not to find it listed in this week’s NYTimes Book Review as among the best of 2025; they are wrong.  It is probably the very best of 2025.  And relevant to us elders – written by an elder, narrated by a very old man, and insistently recalling the valuable parts of a world gone by.

And I might add one more thing here.  In Wendell Berry and Marilynne Robinson we have two writers who give us alternative views (alternative to both evangelical and mainstream religion) of the place of Christianity in human life.  For those of us whose symbols, music, and history are steeped in the Christian faith, such alternatives are much needed and hard to come by.  I don’t know if this will be Berry’s last novel, but it is precious cargo, nevertheless.

Almost all of Berry’s fiction – like most of Faulkner’s – takes place in a well-defined place and gives priority to the work that is done in that place.  Like the descriptions of whaling in Moby-Dick, which ground us in the real and creates a community among the participants, in Berry’s latest book we get the details of raising a certain kind of tobacco.  We all spent much of our lives working – often in jobs that do not even exist anymore. Berry reminds us that the work was real. The lives were real.  At one point he catalogues the buildings and equipment on the old farms and says he is not writing a requiem for all that, but for “the way that once lived among them, the paths worn and wearing day by day, which connected them to one man’s effort and desire” (145).  This tribute to a careful kind of farming stands alongside a description of a careful kind of living that we don’t encounter very often these days.  It also reminds us that the memory of the old – for instance, about how to grow a crop or prepare a recipe – used to be greatly valued.  Now we are more likely to go to AI than Grandpa for such knowledge.

The book is also a diatribe against greed.  “Greed has passed to and fro over the whole earth, reducing life to matter and matter to price.  Though time and change bring sorrow, they belong to the seasons, to fecundity and health, and greed is a mortal disease” (150).  Indeed.  My guess is that was the reason Wendall Berry penned another book in his ninetieth year was to make precisely this point in a world that is sacrificing everything to… greed.

In the end, Andy comes “at last to see his grandfather Catlett, his father, and himself as three aged brothers.”  In his own old age, he now understands their old age.  I often think of my grandparents in this regard and wish I had appreciated them more.  They too had their stories of survival that come back to me – like the one about how, during the Depression, they rented out their house and lived in a neighbor’s garret in order to realize some desperately needed marginal income.  They laughed when they told the tale; they were proud that they had found a way to get through.  I see lessons there that I did not see when I was younger – including a lesson from the laughter.

I was very disappointed that Berry’s new book was not included in the NYTimes notable books for 2025, but there is a poem by Wendell Berry (“The Loved Ones”) in a recent New Yorker.  And, if you like Marce Catlett, there is reading for the rest of your lifetime in the stories of the people of Port William.  These books will change you.  They will inspire you.  And, hopefully, they will nudge you to recall the stories of your life that made a positive difference.  You “must have done something good.”  Yes.

In relation to old age, I would also particularly recommend Berry’s short stories “Fidelity” and “The Inheritors.”  The first is about the end of the life of one man and the effect on those who loved him.  It will get you thinking about technology and death and community.  The other is a portrait of an active man entering into the diminishments of old age and yet keeping his spirit whole.  Read them. 

Three Stories About Old People with Regrets

I read a couple of books and watched a movie lately about old people at the end of their lives who are trying to deal with a major regret.  I would recommend these stories highly – any of them are perfect for a cold winter’s evening.  The books are The Correspondent by Virginia Evans and What We Can Know by Ian McEwan, and the movie is The Great Escaper (on Amazon). I’ll try to talk about these stories without spoiling the endings – and, in these cases, the endings are true endings.  They are all about elders trying to deal with regrets, mistakes, and profound guilt.  It seems to me that this is a prevalent and profound problem of old age; in old age we have a lot of time to think and a tendency to look back.  If you are exempt from major regrets, you are privileged indeed.  I surely have moments in my past that I regret, that I am still trying to deal with, and which flare up from the embers of my memories.  What to do with them?

Religion or AA might tell us that we need to atone, or, at least, apologize.  But the older we are the more likely it is that the actions are long buried along with many of the participants.  How do we deal with those regrets, guilts?  Make a deathbed confession?  Ask a priest or someone else we trust to absolve us?  Must we realize, finally, that they were the product of where we were at the time and chalk it up to karma – and assume we will pay or have paid for our transgressions one way or another?  I was recently thinking of Dryden’s riff on Horace – “Happy the Man” – but that speaker is “secure within” and satisfied that he has “had his hour.”  What if we regret the hour?  And how do we adjust the scales so everything comes out alright?  As the clerk at the Marigold Hotel reiterates, “Everything will be alright in the end, so if it is not alright, it is not the end.”

Each of these three stories concern an older person who sincerely regrets something in their past.  And, in at least two of the cases, they surely have committed (or given tacit approval to) a grievous act.  The third case is situational, where a soldier does what he has to do, but there are dire consequences.  All of these incidents happened many years ago, but shadow the rest of the lives of these characters. What to do?  What can be done?

Let me tell you how the characters in these stories deal with it.  The protagonist in The Correspondent, Sybil, (unsurprisingly) writes letters, letters she sends and letters she does not send.  Besides having mortality breathing down her back, she is dealing with the imminent loss of her sight.  This is a woman who is deeply attached to the written word in all its forms, and it is the word that keeps her going.  Sybil writes to famous people (like Joan Didion), some of whom even write back.  She writes to her children, old friends, and herself.  She writes to living people and dead people and, in the process, she slowly seems to sort things out.  It will make you mourn the lost art of letter writing; it will make you want to write letters.  Or a journal.  Do it.

Ian McEwan waited until he was in his mid-seventies to write one of his finest books.  Earlier in his life, of course, he wrote the classic Atonement, about guilt and absolution.  In Atonement, a woman spends a lifetime trying, at least partially by writing, to make sense of a youthful mistake.  In What We Can Know, there is an academic mystery being researched in the far future.  Where is the lost poem, the renowned corona of which there was only one copy?  The book sets itself up as a literary mystery, which is resolved by the “last testament” of the poet’s elderly wife – she has produced one piece of writing and destroyed another, in revenge and atonement.  The novel asks questions about the words and deeds we leave behind; the title morphs from What We Can Know to “what can we know?” This story got me thinking (again) about what to do with all my old journals.

(Incidentally, the novel looks backward, but it is framed in a time period a hundred years hence, and we get this caution from our narrator:  “I’d like to shout down through a hole in the ceiling of time and advise the people of a hundred years ago: if you want your secrets kept, whisper them in the ear of your dearest, most trusted friend.  Do not trust the keyboard and screen.  If you do, we’ll know everything.” Fair warning.)

The Great Escaper stars the very old Michael Caine and Glenda Jackson.  Jackson died shortly after the film was made.  Both stars were closing in on ninety when the filming was done, which was only appropriate as the story is about a 90-year-old man.  I have to admit that at first it is very hard to watch those very old bodies – much older than we usually see on the screen – but the film soon sweeps you away with both the love between the two oldsters and the heroic effort that Bernie makes to understand and atone for his actions at the beach at Normandy seventy years before. When I was young, I would not have believed someone could be so tormented by things that they did seven decades ago; now I know better.   And when Bernie gets to the 70th commemoration of the Normandy invasion, he finds that he is not the only one who is abashed to be treated as a hero when he feels like a traitor.  But, back on the beach and at the military cemetery, he faces his demons.  Those demons might not be completely vanquished, but they are at least acknowledged and shared.

These stories do not display miraculous cures for our trespasses; even if our sins are forgiven, we still cannot ever forget them.  Sybil, the letter-writer in The Correspondent, has made a pen pal of Joan Didion, and she quotes her: “What I have made for myself is personal, but it is not exactly peace.”  Stephen Crane put it more crudely: “But I like it/Because it is bitter, /And because it is my heart.”  Our regrets are personal, they are bitter, but when we at least acknowledge them, we might be able to accept them as part of who we are.

I’ll end with one of my favorite poems, “The Ideal,” by Paul Fenton.

This is where I came from.
I passed this way.
This should not be shameful
Or hard to say.

A self is a self.
It is not a screen.
A person should respect
What he has been.

This is my past
Which I shall not discard.
This is the ideal.
This is hard.

For one of my stories about regret, you might try “Shrove Tuesday.“

“Let Them,” Self-Reliance, and Old Age

Sometimes, it seems that life just wants to teach you a lesson. You know this because synchronicities abound.   Driving around doing errands a few days ago, I happened to listen to an interview with the self-help guru Mel Robbins, who was expounding on her “Let Them” theory.  As I understood it, she was exhorting us to pay no attention to what other people do or say – and to just follow our wisdom.  There was a drop of stoicism in the message, and more than a little new-age me-ism.  Nevertheless, I got to thinking about how often what I think (or do) is related to how I perceive and anticipate the reactions of other people.  Once, a few years ago, I was explaining how I was doing something I didn’t want to do to satisfy a neighbor, when a wise friend of mine stopped the conversation to ask, “Don’t tell me at your age you’re still caring what other people think!”  Good question. Why do we still care?

 Later in the day, I was looking for a half-remembered passage in Spinoza and ran across Spinoza’s definition of ambition. Spinoza describes ambition as the “effort to do or omit something, solely in order that we may please men.”   Spinoza’s definition of being free – the highest good – is for something to exist “solely by the necessity of its own nature and determined to action by itself alone.”  In other words, the opposite of ambition. I thought I had turned in my ambition with my retirement papers, but maybe not.  

And that got me thinking about Robert Frost’s “Choose Something Like a Star:”

It [the star] asks a little of us here.
It asks of us a certain height,
So when at times the mob is swayed
To carry praise or blame too far,
We may choose something like a star
To stay our minds on and be staid.

Of course, Frost’s poem includes a reference [“Keats’ eremite”] to Keats’ “Bright Star,” which begins: “Bright star! would I were steadfast as thou art—.”  Keats is talking about love, but he could also be exhorting us to be steadfast to our own mind and not pulled or pushed by the last book we read or our intimations of how others feel. 

Later, after meditating, I listened to a dharma talk by Gil Fronsdal, the theme of which was: “Don’t Make It Worse.”  Life is full of dukkha (suffering), but we do not need to shoot the second arrow (blame, regret, fear, etc.) and make it worse. And, of course, when things are bad, one of the ways we make it worse is by worrying about what people will think.  Buddhism talks about pairs of opposing winds that buffet our lives, one of which is praise and blame.  The goal is to steady ourselves in the storm.

My more rational mind (the mind that Spinoza exhorts me to consult more often) tells me that my friend was right.  Why should old people care what other people think?  And “other people” includes neighbors, books, internet gurus, friends, or that critical-looking woman in my yoga class. We’ve lived through enough bad decisions, taken enough bad advice, and mistakenly followed the crowd enough times that we should certainly have learned our lesson. This does not mean that we do not care about anything – it just means that we should know better than to give our equanimity away to the whims of others.  We should look inward for the answers. 

Which brought me to this from Emerson and his essay on self-reliance, which is really what we are talking about here:

He who knows that power is inborn, that he is weak because he has looked for good out of him and elsewhere, and so perceiving, throws himself unhesitatingly on his thought, instantly rights himself, stands in the erect position, commands his limbs, works miracles…

I think that one of the reasons so many older people are drawn to write memoirs of one kind or another is to explore what it is that we have learned, what we know.  And it is a worthwhile exercise if only for that purpose.  I have given myself the task of reviewing my old journals for the same reason.

Being old means often looking weak and vulnerable to the outside world, and we often reflect that view back on ourselves.  Lately, these is a ubiquitous meme on the net with post-menopausal women talking about how they “don’t care” about one thing or another.  There are a lot of things I do care about, but it seems that outside approval should not be one of them.  It is easier however to look for answers in a book or from someone else.  But, we can do it.  After all these years, we’re still here and we’ve got to trust that we have learned something.  And that our own opinion is infinitely superior (at least for ourselves) than the person’s next door or the latest new-age guru.

Often, old folks have to stand up to the consternation and advice of their younger relatives.  Holding our own is not easy, but it is often necessary.  You might try my story, “Again and Again and Again,” for an example of this.

Slowness in Old Age – Perhaps a Gentle Blessing?

I have always been interested in the concept of time, at once fascinated with it and threatened by it.  Back in graduate school, I wrote essays about the depiction of time in literature from different time periods.  For example, in The Canterbury Tales we find multiple ways of telling time.  The new technology (mechanical clocks) was so recent that it had not had time, as yet, to eradicate prior knowledge (unlike our current era, when many children growing up in the digital age cannot tell time on an analogue clock).  In one short passage, Chaucer refers to the time in at least four different ways: as a portion of the “artificial day”, by the length of the shadows, by the degrees of inclination of the sun, and by the hour of the “clokke.”  The clock in this case was probably read by ear, by the chimes, and emanated often from the local monastery, reminding all that all time was God’s time.  It is of note that early Christians did not believe in usury because, among other reasons, it involved making money through time and time belonged to God.

By Jonathan Swift’s era, however, usury was accepted, and time was dominated by mechanical devices.  Not only did clocks have faces and more exact calibration, but they were even carried in one’s pocket, something which puzzled the Lilliputians when they encountered Gulliver:

He [Gulliver] put this engine [pocket watch] into our ears, which made an incessant noise, like that of a water-mill: and we conjecture it is either some unknown animal, or the god that he worships; but we are more inclined to the latter opinion, because he assured us, (if we understood him right, for he expressed himself very imperfectly) that he seldom did anything without consulting it. He called it his oracle, and said, it pointed out the time for every action of his life.

I was always a creature of the clock.  When I was a working mother with two children, I had no choice.  Every moment was scheduled.  I was good at it, and it became a habit.  What I am apparently not so good at is slowing down.  There is a quote that is making the rounds these days from the Nigerian philosopher Bayo Akomolafe: “The times are urgent; let us slow down.”  He also said that “The idea of slowing down is not about getting answers, it is about questioning our questions.”  Akomolafe is talking about global humanitarian issues like climate change and refugee displacement, but slowness is also, it seems to me, necessary to navigate old age.  First of all, we are no longer built for speed.  Almost every fall that my mother took in the latter part of her life happened when she was rushing to answer a phone, tending to a barking dog, or some such non-emergency.  Secondly, haste makes waste.  We don’t have the energy or money to cope with larger mistakes.  Lastly, we are approaching the end.  It is time to put on the brakes and look around us before we become stardust again.

All of this makes sense, but – nevertheless – old habits and values don’t change easily.  For a simple example, I find myself frustrated with fast pieces on the piano.  I can play them, but not at accepted tempo, not fast enough.  I am just playing for myself (and my husband who, locked in his study, is an involuntary audience).  Would I rather play the piece well but very slowly or fast with mistakes and frustrations? Slow practice has always been recommended. “If you practice something slowly, you forget it slowly. If you practice something fast, you forget it fast,” advised Itzhak Perlman.  And then there is this from Saint-Saens: “One must practice slowly, then more slowly, and finally slowly.”  Since all the piano playing I do could be labeled as “practice,” slow is fine with me and enables me to play pieces that would ordinarily be beyond me.  It is a trick, however, to go slowly and keep an even tempo; this is true both on the piano and in life, I think.

The same is true for reading and writing.  There is this from an interview with one of my favorite writers, Lewis Mumford, which took place when he was in his eighties and still producing books:

The really annoying part of the aging process is not what happens externally—one has plenty of time to get prepared for that—but what happens internally,” he says. “One knows one isn’t quite as good. One’s energies are lower. When I was writing my major books, I would do between 3,000 and 4,000 words in the morning, between 8 and 11:30. Now I’m very happy to do 1,500 or 2,000 words.

“Now I’m very happy to ….”  There is an acceptance of reality in Mumford that is graceful and wise.  And the thought that goes into that smaller word count may make for better prose than the facile writing of our youth.  Early readers (before the 17th century) spoke words aloud as they read.  Until recently writers used pen and paper to write and revised with cross-outs and clipped-on inserts.  These practices were slower, but surely made for better understanding.

Slowness is in the air.  We are now being told that slow learning is better than fast; slow thought is a necessary balance to fast intuitive thinking.  And, of course, slow food is better than fast food. One of my children recently told me that he couldn’t imagine spending the time we spend on food shopping, planning, preparation and clean-up.  I could have argued that, once you have a personal catalogue of recipes and experience in preparing them, it does not take that much more time than driving to a restaurant, waiting for your server, etc.  But the real answer is that preparing food is a worthwhile activity in itself – and what would you be doing if you weren’t slicing vegetables for tonight’s stew?  I could go on and on, but talking to younger people almost never convinces them, and I have better things to do.

“Quickening” is the term we use for the very first detectible movement of a fetus in its mother’s womb.  It is a big moment for pregnant mothers and marks the first independent action of a new life.  If the beginning of life is “quickening,” maybe we need an equivalent “slowening” for the last part of life. And perhaps, by accepting our slowness, by appreciating it, we are accepting one of the greatest gifts of old age.

If you are interested in the development of timekeeping, Lewis Mumford’s Technics and Civilization is highly recommended, although I believe it is out of print.  Anything by Mumford is highly recommended.  I have also posted here my old essay on the depiction of time in The Canterbury Tales.

And lastly, I just read this morning’s New York Times Magazine, where there is an article on the peace and joy of slow driving.  I am already a right lane person.

In Praise of Failure

I am thinking about failure these days.  This is partly because I have had a few lately, but mostly because I just finished Costica Bradatan’s very interesting new book, In Praise of Failure: Four Lessons in Humility.  Bradatan sees failure as necessary because it grounds us in reality and brings us humility.  He cites Iris Murdoch’s definition of humility as “selfless respect for reality.”  (Murdoch thinks that humility is “the most difficult and central of all virtues.”)

Bradatan says failure begets humility in three phases:

  1. Humility involves acceptance of our cosmic insignificance.
  2. It puts us on firm ground, since we have been “brought down to earth.”
  3. Having lowered our anchor into the world, and regained our existential balance, we can move on to other, bigger things.

Bradatan also notes that “Humility is the opposite of humiliation – that’s the chief lesson…There is nothing demeaning or inglorious about humility; on the contrary, it is rejuvenating, enriching, emboldening.”

I certainly am interested in “regaining my existential balance,” so this got my attention.  I was also interested in the way that we often reference old age as some kind of failure.  We talk about old folks failing to thrive, having failing eyesight, experiencing organ failure.  Much about old age unfolds with small failures, a dripping faucet of losses.  I used to be able to reach that shelf, didn’t I?  Remember that word?  Walk up that hill without pausing for breath?  Bradatan does not reference old age often in his work, but he is reassuring that failure grounds us and serves us in ways that success never can.

Failure is defined in the dictionary as “unsuccessful at reaching one’s goal.” Is staying young, staying alive, a goal?  It certainly is not within our complete control. We are mortal, and we will age, whether we like it or not.   We may have some control over the rate of decline, but not over the inevitability of it – Silicon Valley notwithstanding.

And how do we handle this sense of failing?  We are bombarded with contradictory messages.  Some say we should try harder, accept new challenges, revolutionize our diets.  Others posit that we should practice a reasonable level of acceptance. David Chernikoff in his Life, Part 2, shares this wonderful quote, a prose-poem really, from Solzhenitsyn:

How much easier it is then, how much more receptive we are to death, when advancing years guide us softly to our end. Aging thus is in no sense a punishment from on high, but brings its own blessings and a warmth of colors all its own. . .. There is even warmth to be drawn from the waning of your own strength compared with the past—just to think how sturdy I once used to be! You can no longer get through a whole day’s work at a stretch, but how good it is to slip into the brief oblivion of sleep, and what a gift to wake once more to the clarity of your second or third morning of the day. And your spirit can find delight in limiting your intake of food, in abandoning the pursuit of novel flavors. You are still of this life, yet you are rising above the material plane. . .. Growing old serenely is not a downhill path but an ascent.

Uphill, downhill.  Success, failure. Do these words have any meaning in relation to human existence?  Life is a parabola according to Dante; we go up, we go down.  Almost a millennium after Dante, Joni Mitchell said life is a “game,” not a tragedy, and as the “painted ponies go up and down”:

We’re captive on the carousel of time
We can’t return, we can only look
Behind, from where we came
And go round and round and round, in the circle game.

I think there can be joy in the motion, whichever side of the circle or parabola you are on. Yes, we must “accept” the end of a season, of our youth.  We either have to change our view of failure in relation to age, or start to use another word.  “Growing old serenely,” says Solzhenitsyn, “is not a downhill path but an ascent.”

And, if we are willing, we may find happiness in the falling, the failing, the downhill path. I have listened to many dharma talks about withholding judgment on all changes, including age. Rather than judge, we are to watch, realize.  Serenely.  A good word.  Like equanimity.

One last note: my last two blogs have started with the term “in praise of” – ordinary times, failure.  One cannot neglect mentioning Erasmus’s In Praise of Folly – the most memorable of such encomiums. In it, Erasmus’s discussion of old age almost always puts it into the context of the life cycle.  Lack of decorum in relation to one’s place in the life cycle is a constant source of humor for Folly.  Folly holds up the futile attempts of the elderly to be what they are not: “They cling to life so fiercely, and try so hard to ‘seem young,’ that one old codger will dye his last gray hairs, while another will stick a wig on his pate, and still another will fill his gums with false teeth, borrowed perhaps from a pig’s jaw.”  Erasmus, too, is cautioning a level of acceptance and equanimity.

For more on Dante’s view of life as a parabola, you might look at my blogs, “Dante’s Parabola” or “A Diminished Thing.”