A Last Transitioning

I just returned from visiting a ninety-eight-year-old relative who, although she is weak and has been under hospice care for many months, has never spoken of her own death in my presence. She has never acknowledged her mortality in any way.  However, since the last time we were with her, she has learned a new word for what she feels she is going through: transitioning.  She affirmed quite emphatically that she was in the process of transitioning, that she would be transitioning soon.  There was never any discussion of what she would be transitioning to, but that didn’t seem to matter.  I guess transitioning seems less terminal, more transitive.  For whatever reason, it is a concept, a term, that she is comfortable with.

This terminology, however, made for some humorous conversations. I heard her, for instance, leave a phone message for a financial manager telling him that she wanted to talk to him because she would be “transitioning” soon.  In this day, when “transitioning” is usually used in a different context, it might make people who don’t know her well wonder if she is having a deathbed gender conversion.  But I don’t mean to make light of it; I am grateful that she has found a word to describe her experience, a word that she can be comfortable with.  And the end of life is surely an ongoing transition which must be borne, appreciated, accommodated.

Our culture has many euphemisms for death; Wikipedia can give you more than fifty.  Many have religious connotations: “going to heaven;” some are earthy: “kick the bucket;” some are transactional: “checking out.”  But we are loath to look at death directly.  Irvin Yalom, my favorite psychiatrist/author, wrote a book entitled Staring at the Sun: Overcoming the Fear of Death.  The title comes from a quote from La Rochefoucauld: “You cannot stare straight into the face of the sun, or death.”   Yes, and despite the optimistic title of Yalom’s book and the advice he provides, facing our mortality never seems to get much easier.

Literature gives us many images of death, with deathbed scenes ranging from the horror of Tolstoy’s Ivan Illich to the sweet demise of Dicken’s Little Nell.  But, today, I am more interested in poetry, and no one can confront the truth like Philip Larkin.  He wrote an aubade, a poem about early morning hours in bed, in which he talks about lying in the dark facing “the dread of dying, and being dead,” thoughts which “hold and horrify.”  Aubades are usually romantic poems, about lovers having to leave each other at sunrise after a blissful night.  Larkin fixates only on his fear of having to, inevitably, leave life.

In time the curtain-edges will grow light.

Till then I see what’s really always there:

Unresting death, a whole day nearer now,

Making all thought impossible but how

And where and when I shall myself die.

Arid interrogation: yet the dread

Of dying, and being dead,

Flashes afresh to hold and horrify.

I have known people who claimed they had no fear of death; I never believed them.  I know other people who say they are afraid of the process of dying, but not death itself.  I can almost believe them.  Clearly my skepticism is deeply colored by my own fear of annihilation.

There are other views of death in poetry.  Stevie Smith calls death “Black March” in her poem of that title; she thinks of death as an “old friend,” “a breath of fresh air,” “a change.”  She looks forward to thinking of a visit from her old friend; she seemingly cannot face life without knowing he is somewhere, cloaked in grey chiffon, waiting for her.  “I have a friend/ At the end of the world. / His name is a breath/ Of fresh air.”

And then there is Robert Louis Stevenson, who spent most of his life struggling gallantly with tuberculosis, but has no intention of resisting death when it comes:

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.

I may never have Stevenson’s openness to death, but I sincerely hope to have Stevie Smith’s confidence that, at some point in my life, death will be a friend.  And I will lose my fear about a final transition.

If you want to contemplate death through some of my fiction, you might try “And Now, A Word from Dead Barry,” or “Tale of Two Grannies.”

Crabbed Age and Youth, or Silent Serenity Meets Carpe Diem

Crabbed Age and Youth” is the title of a wonderful essay written by Robert Louis Stevenson when he was but 38.  Of course, Stevenson never reached old age himself (dying in 1894 at age 44); one can wonder if he still would have thought old age was “crabbed” if he had ever arrived there.  Nevertheless, it is an excellent examination of irreconcilable differences between the old and the young.  Stevenson observes:

All sorts of allowances are made for the illusions of youth; and none, or almost none, for the disenchantments of old age.  It is thought to be a good taunt, and somehow or other to clinch the question logically, when an old gentleman waggles his head and says: “Ah, so I thought when I was your age.”  It is not thought an answer at all, if the young man retorts: “My venerable sir, so I shall probably think when I am yours.”  And yet the one is as good as the other: pass for pass, tit for tat, a Roland for an Oliver.

The old have learned something, perhaps, from experience; unfortunately, we cannot seem to pass that along.  Experience must be had (and hopefully learned from) by the experiencer.  And there is the additional problem, of course, that sometimes what the old have learned is a measure of fear.  We love the young because they are fearless; they dismay us for the same reason.

I had an experience this week of crabbed age encountering youth.  We have learned that it is often far easier to visit our children and grandchildren in their own environments; our house, our life, is not set up for either toddlers (too many fragile things to touch) or teenagers (not enough electronics or basketball hoops), so it is easier to go to them and see how the younger folk live (never jealous).  Like many in our generation, we are older grandparents – we are in our seventies and our grandchildren range in age from 2 to 15 (see my post “The Age of Grandmothers“).  Last week, however, we had a family of five visit with children from age 3 to 13.  Knowing we had a dearth of space and patience, we put them in hotel rooms; nevertheless, they were in our environment for about fourteen hours a day.  It was hard for me, and probably for them too.

As a habitual catastrophic thinker, I thought I had imagined all possible hazards.  I had put away breakables, locked away personal information, stocked the refrigerator and baked ahead.  I had good intentions.  But they weren’t in the house for five minutes before the ten-year-old was spinning her sister around in faster and faster circles in my favorite upholstered rocking chair.  I had no idea that it would turn 360 degrees, and no desire to see it send itself into orbit at the speed it was going.  The end table had already tipped over.  And so I “corrected” them.  Not a good start.

I never had a chance.  For one thing, we were outnumbered.  For another, they had far more energy than we did.  We hiked in the morning, ate lunch, hiked some more, and when we came home in the midafternoon, they were immediately looking for something else to do.  The only “something else” I was capable of was a nap before feeding dinner to the seven of us and cleaning up, all while hoping that nobody dumped their spaghetti on the carpet.

And there is another problem with spending too much time with your progeny.  You learn lots about their lives that is fun and interesting, but you also learn things that you don’t want to know.  More things to worry about, to catastrophize about.

But, back to Stevenson, they are young and we are the crabbed aged.  I don’t want to be young again, make the mistakes I made, have children underfoot all day and worry about how I am going to send them to college.  And they don’t want to be old.  So we rub along; they surely are glad to see the back of me (but also glad I packed cookies and sandwiches for their trip home), and I am glad to recede into my placid, quiet, and predictable rituals.

Stevenson, even though he was never old, knew that there was no use trying to make old age more adventuresome:

Childhood must pass away, and then youth, as surely as age approaches. The true wisdom is to be always seasonable, and to change with a good grace in changing circumstances. To love playthings well as a child, to lead an adventurous and honourable youth, and to settle when the time arrives, into a green and smiling age, is to be a good artist in life and deserve well of yourself and your neighbour.

The children and grandchildren are gone.  I’m a “green and smiling” old lady again.