When I was in my fifties, I decided to finish my doctorate in English literature. I was working in college administration as a Chief Financial Officer, and had accumulated a BA and MA in literature, an MBA, and completed various coursework and other prerequisites for a PhD but realized that I would need a year or two of full-time effort to complete coursework and a dissertation. I had the good fortune of being able to do this, and I joined a small cohort of much younger students in trying to complete this hurdle (more on that cohort later).
I decided to research the changes (as I perceived them) in the portrayal of old age in literature during the Enlightenment era (sound impressive?), and I elected to do this through the lens of a writer who experienced an infamous old age himself, and who wrote his most famous book at about my age – Jonathan Swift. During Swift’s lifetime, science was turning old age from a theological phenomenon to a pathological one; statistics of life expectancy were just beginning to be accumulated, and increasing literacy was displacing old memories as the source of history and information. It turned out to be an interesting study (abstract found here). Now, almost twenty years later, I find myself revisiting some of my conclusions and wondering if I would have a different perspective now.
I might have been middle-aged when I finished graduate school, but being thrown in with a cohort of twenty-somethings made me feel older. I never felt that they were that much brighter than I was (although some surely were), but I was massively more effectual. I turned papers in on time while my classmates had a sea of incompletes. I got my dissertation chapters and rewrites to my committee faster than they probably wanted and had no problems ticking off the hurdles to getting to my final defense. I researched all my own citations and even word-processed my final document myself (in compliance with the University’s picky standards). Research and study were so much easier than working that it was during this period of time that I also started writing fiction. It was a happy time.
The issues of aging I identified in Swift’s writing and in his life are still with us. Gulliver’s episode with the immortal but aging Struldbruggs depict what happens when longevity outraces competence, when technology, language, and culture leave the long-lived behind. The Enlightenment era saw the first spate of self-help books on extending one’s life span and the implied assumption that, perhaps, the length of your life span was within your control and not necessarily the total prerogative of the Almighty. Swift himself lived to be 77, and before he died, he lost most of his friends, his lady-love Stella, and just enough of his mind that he had trouble communicating but seemed to be aware of that sad fact. Swift was a difficult character all his life, but, as I age, I have more sympathy for him. When he was sixty-four, he wrote his own humorous elegy in almost 500 lines of rhyme, “Verses on the Death of Dr. Swift.” The poem is hilarious and humbling.
Besides, his memory decays:
He recollects not what he says;
He cannot call his friends to mind:
Forgets the place where last he din’d;
Plies you with stories o’er and o’er;
He told them fifty times before.
How does he fancy we can sit
To hear his out-of-fashion’d wit?
Swift was not overly lovable, but how can you not have a soft spot for a man who looks so calmly into the face of the eccentricities of his own old age? I ended up being fond of the pompous old geezer and was loathe to part with him when my academic work was over.
I turned some of my knowledge of Swift into a draft novel, What Shall I Say First? In it, a middle-aged academic is visited by the ghost of the old Dean himself. But again, this was written a number of years ago. I may revisit that manuscript and my dissertation to see if, twenty years later, Jonathan Swift, Dean of Saint Patrick’s, has anything new to teach me. Can old dogs teach old dogs? Stay tuned. Meanwhile, read the Struldbrugg episode in Gulliver’s Travels (Part III, Chapter X) and see if you don’t relate to their feeling of being “foreigners in their own country.”