Tag: poetry

“Something Good” – Wendell Berry and Remembering When We Made a Difference

Nothing comes from nothing
Nothing ever could
So somewhere in my youth or childhood
I must have done something good. (from “Something Good,” The Sound of Music)

Last week, I wrote about the regrets that we all have about our pasts and wondered about the best way to handle them in our old age.  Reading Wendell Berry’s new book, Marce Catlett: The Force of a Story, made me think about the “good” things from the past.  If you’re like me, you spend much more time with your shames and regrets than you do with “worthy” acts.  What things in our lives have been for the good, what experiences have we had and stories have we told that made a positive difference, which resulted in “something good”?  The fortunate among us have had an old friend, student, or co-worker thank us years later for something we did not even remember doing for them or for kind words that we can’t even recall at all.  It would probably do us all good to dwell more often on the positive aspects of our lives and less often on our (numerous) regrets.

Berry’s book is narrated by Andy, the very elderly grandson of Marce Catlett.  Long ago, Marc stood up to the Duke Tobacco interests by sharing his experience with his neighbors.  His oft-repeated story of one day, told over and over, shaped the lives of all those around him in the wonderful world of Port William.  The day was devastating, but the main part of the story is about how Marce immediately picked up and carried on and worked with fellow farmers so that such a day would never happen to them again.

First, let me say that Wendell Berry just published this book at the age of 91, and it is a true gift for all of us.  Marce Catlett  is a spare book written with a sledgehammer, and not just a story about 1917.  Berry has a pretty good idea about not only what is wrong in Washington these days, but what is wrong with all of us.  And our children.    The novel can be read in a day, but it would take much longer than a day to forget it – and so it was with Marce Catlett’s story about coming home from a tobacco auction with less money in his pocket than it had taken him to grow the crop.

Wendell Berry is a wonderful writer about wonderful things; many of us know his poetry (think of “The Peace of Wild Things” or “How to be A Poet).   We also have read his essays, which go back to the 1960s and include gems like “Living in the Presence of Fear” and “Why I’m Not Going to Buy a Computer.”  But it is his fiction – the novels and stories of Port William – that future generations will look back on for a prophetic voice that was seldom heeded.  Marce Catlett is simply the culmination of this story.  You do not have to have read any of the others to appreciate this latest (but hopefully not last) work though; Berry fills us in.  I was greatly disappointed not to find it listed in this week’s NYTimes Book Review as among the best of 2025; they are wrong.  It is probably the very best of 2025.  And relevant to us elders – written by an elder, narrated by a very old man, and insistently recalling the valuable parts of a world gone by.

And I might add one more thing here.  In Wendell Berry and Marilynne Robinson we have two writers who give us alternative views (alternative to both evangelical and mainstream religion) of the place of Christianity in human life.  For those of us whose symbols, music, and history are steeped in the Christian faith, such alternatives are much needed and hard to come by.  I don’t know if this will be Berry’s last novel, but it is precious cargo, nevertheless.

Almost all of Berry’s fiction – like most of Faulkner’s – takes place in a well-defined place and gives priority to the work that is done in that place.  Like the descriptions of whaling in Moby-Dick, which ground us in the real and creates a community among the participants, in Berry’s latest book we get the details of raising a certain kind of tobacco.  We all spent much of our lives working – often in jobs that do not even exist anymore. Berry reminds us that the work was real. The lives were real.  At one point he catalogues the buildings and equipment on the old farms and says he is not writing a requiem for all that, but for “the way that once lived among them, the paths worn and wearing day by day, which connected them to one man’s effort and desire” (145).  This tribute to a careful kind of farming stands alongside a description of a careful kind of living that we don’t encounter very often these days.  It also reminds us that the memory of the old – for instance, about how to grow a crop or prepare a recipe – used to be greatly valued.  Now we are more likely to go to AI than Grandpa for such knowledge.

The book is also a diatribe against greed.  “Greed has passed to and fro over the whole earth, reducing life to matter and matter to price.  Though time and change bring sorrow, they belong to the seasons, to fecundity and health, and greed is a mortal disease” (150).  Indeed.  My guess is that was the reason Wendall Berry penned another book in his ninetieth year was to make precisely this point in a world that is sacrificing everything to… greed.

In the end, Andy comes “at last to see his grandfather Catlett, his father, and himself as three aged brothers.”  In his own old age, he now understands their old age.  I often think of my grandparents in this regard and wish I had appreciated them more.  They too had their stories of survival that come back to me – like the one about how, during the Depression, they rented out their house and lived in a neighbor’s garret in order to realize some desperately needed marginal income.  They laughed when they told the tale; they were proud that they had found a way to get through.  I see lessons there that I did not see when I was younger – including a lesson from the laughter.

I was very disappointed that Berry’s new book was not included in the NYTimes notable books for 2025, but there is a poem by Wendell Berry (“The Loved Ones”) in a recent New Yorker.  And, if you like Marce Catlett, there is reading for the rest of your lifetime in the stories of the people of Port William.  These books will change you.  They will inspire you.  And, hopefully, they will nudge you to recall the stories of your life that made a positive difference.  You “must have done something good.”  Yes.

In relation to old age, I would also particularly recommend Berry’s short stories “Fidelity” and “The Inheritors.”  The first is about the end of the life of one man and the effect on those who loved him.  It will get you thinking about technology and death and community.  The other is a portrait of an active man entering into the diminishments of old age and yet keeping his spirit whole.  Read them. 

A Great Old Age Simile from Bertrand Russell – and Some Advice

Bertrand Russell lived to be very old, and – in his rational and philosophical way – was much interested in the best way to grow old. (I could have told him it was slowly!)  Russell starts by admitting that the best advice is to “choose your ancestors carefully” – his own parents died young, but his grandparents led long and productive lives.  (His paternal grandfather was prime minister of England well into his 70s and an active opposition leader long after that.)  Russell cautions us against expecting too much from our children and gives the realistic advice that they won’t abide much from their elders in the way of advice or society – but they will welcome any funds that might be forthcoming.  All true enough.

In fact, in his essay, “How to Grow Old,” Russell says there are two major mistakes that oldsters make.  The first is to cling to the younger generation, or even worse, to try to imitate them.  The other error is to cling to the past:

It does not do to live in memories, in regrets for the good old days, or in sadness about friends who are dead.  One’s thoughts must be directed to the future, and to things about which there is something to be done.  This is not always easy; one’s own past is a gradually increasing weight.

So, what does Mr. Russell suggest that we do? His great mind has pondered this, and his conclusion is much like that of his contemporary, Simone de Beauvoir (see here), both of whom think that we need “projects” in old age:

I think that a successful old age is easiest for those who have strong impersonal interests involving appropriate activities.  It is in this sphere that experience is really fruitful, and it is in this sphere that the wisdom born of experience can be exercised without being oppressive.

In his 80s and 90s, Russell took on things like nuclear disarmament, opposition to the Vietnam War, and overpopulation.  I hope he would have also approved of less noble pursuits and projects – like playing the piano or cultivating a garden.  Russell himself was purported to dabble in birdwatching.

Russell acknowledges that fear of death is often an issue with the old, but he finds this somewhat “ignoble.”  It is in talking about the best way to overcome our mortal fear that he waxes the most poetic, as we can see in this passage:

The best way to overcome it—so at least it seems to me—is to make your interests gradually wider and more impersonal, until bit by bit the walls of the ego recede, and your life becomes increasingly merged in the universal life. An individual human existence should be like a river: small at first, narrowly contained within its banks, and rushing passionately past rocks and over waterfalls. Gradually the river grows wider, the banks recede, the waters flow more quietly, and in the end, without any visible break, they become merged in the sea, and painlessly lose their individual being. The man who, in old age, can see his life in this way, will not suffer from the fear of death, since the things he cares for will continue. And if, with the decay of vitality, weariness increases, the thought of rest will not be unwelcome. I should wish to die while still at work, knowing that others will carry on what I can no longer do and content in the thought that what was possible has been done.

I love water metaphors for life.  Buddhism, Taoism, Christianity – all spiritual thought comes back to the symbol, the example, of water.  We are made of water, we need water, and – at our best – we are like water.  The Tao reminds us that, like the Tao, “water doesn’t strive or compete. It simply flows, finding its own path. [reaching its own level,] and adapting to the environment. This teaches the importance of letting go of ego and resistance, allowing things to unfold naturally.”

And, this brings me to Spinoza.  (I always come back to Spinoza.)  Many great geniuses – Russell and Einstein to name just two – were Spinozans.  Russell tells us that Spinoza was the “best example” of being able to view the world in this impersonal way as the end approached:

Spinoza, who was perhaps the best example of the way of feeling of which I am speaking remained completely calm at all times, and in the last days of his life preserved the same friendly interest in others as he had shown in his days of health.  To a man whose hopes and wishes extend widely beyond his personal life, there is not the same occasion for fear that there is for a man of more limited desires.

But, assuming we can transcend the personal, where does that leave us?  These are tough days. In my greener years, I protested the Vietnam War, signed petitions, marched for peace.  I was young, but things did not seem so overwhelming as they are today.  I was stronger and more resilient. I bellowed, but I did not despair.  Now I am tired, and I often despair.  I would urge the younger folks to get more involved, but we did not listen to our elders who told us to get less involved.  The tides rise and fall.  Tranquility in old age does not mean giving in; it means giving up neither our serenity nor our standards. And we must keep in mind that we are about to “merged in the sea.”  Russell is also famous for telling us, “The secret of happiness is to face the fact that the world is horrible, horrible, horrible.”  These days the world is often horrible, and yet we must maintain our equanimity and “friendly interest.”  Not easy.

It is always interesting to look at how smart people have approached and lived their own old ages.  For more about the conjunction of old age and genius, you might look back on my blog, “Does Life Have Two Trajectories?”

What Abides (Into Old Age)?

What makes the 73-year-old me that I see in the mirror, that I identify as “me,” the same as the four-year-old in the picture on my desk?  No one would recognize me in the four-year-old.  Even I have trouble identifying what remains of her.  As we age, “what abides?” is a question worth pondering.  People try to answer it in different ways – some look up old friends, some write memoirs.  We all dread the loss of what we think of as our “selves;” I watched my mother turn into a different person in her late eighties, and yet she retained many early memories.  In fact, she seemed to live in her earliest memories.  What of her self was lost, and what remained?

These questions made me think of that old word: abide.  In old age, what abides?  What stays and makes us us until the very end?  Or is the concept of a constant being just fallacious?  In “Ulysses,” Tennyson posits that “much abides” in old age – that while the body fades and weakens, the will is strong:

Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

Tennyson wrote “Ulysses” when he was a young man; I would posit that the admonition “not to yield” would not be the advice of an old man.

On the other hand, Thomas Hardy was around sixty when he addressed “abiding” into old age in “I Look Into My Glass:”

But Time, to make me grieve.
Part steals, lets part abide;
And shakes this fragile frame at eve
With throbbings of noontide.

While Tennyson wants to concentrate on the value of what abides, Hardy finds it a form of torture, as his spirit wants to do what his body cannot do.  And then there is Robert Graves and his poem about looking in the mirror, written when he was about 72:

I pause with razor poised, scowling derision
At the mirrored man whose beard needs my attention,
And once more ask him why
He still stands ready, with a boy’s presumption,
To court the queen in her high silk pavilion.

For Graves, what abides is “presumption.”  And more specifically, “a boy’s presumption.”

In its intransitive form (as used by Tennyson and Hardy above), abide means “to remain stable or fixed in a state;” this is the same as the meaning it takes in the great hymn, “Abide with Me.”  The tale is that the author of the hymn wrote it at the deathbed of a friend, a friend who asked him to abide with him until the end.  The Biblical reference is Luke 24:29. The disciples (after they had met the risen Christ) plead with Jesus: “Abide with us: for it is toward evening, and the day is far spent.”  This is from the lovely King James Version; I would note that some later versions use the word stay rather than abide.   I prefer abide, which is related to the word “abode.”

This is an old problem.  The ancient Greeks pondered the problem of the Ship of Theseus.  As told by Plutarch in the first century, Theseus’s original ship was used for a ceremony commemorating his defeat of the Minotaur; over the centuries, almost every part of the ship had to be replaced, as it rotted and rusted.  A thousand years later, was it still really the Ship of Theseus?  Sixty-nine years later am I still my four-year-old self?

So, the question still is: What abides?  What abides when we walk with a limp, when we can’t remember the librarian’s name or where we put the library book?  What abides that can reassure us of who we are?  Tennyson would leave us with the impetuosity of youth; Hardy would have us the prisoner of passions we can’t act on; Graves chides us for presumption.  I firmly believe that something of value abides, and I spend a bit of time trying to winnow out the chaff to find it.

Bare Ruin’d Choirs – Seasons and Similes of Old Age

I have been intending to write a blog about the notion of “singularity,” but my readings on the subject seem to go on and on, so I thought I would just look around me and write about the season and the seasons of life.

This is my first autumn back in New England after almost a decade.  We moved from western North Carolina two months ago (just in time, I guess).  Autumn was longer but less colorful North Carolina; there were the brilliant yellows but not the mellow golds and reds.  Fall has always been my favorite season, and I am looking forward to the colors, the smells, and the urgency of buttoning up the house (nesting) before winter arrives.

If autumn is my favorite season, October has always been my favorite month.  For years (until the printing wore off), I used a coffee cup inscribed with Thoreau’s quote about October. Here it is, to remind us to imbibe some of the magic Henry found in October:

October is the month of painted leaves. Their rich glow now flashes round the world. As fruits and leaves and the day itself acquire a bright tint just before they fall, so the year near its setting. October is its sunset sky; November the later twilight.

Back to our earliest records, poets used the seasons of the year as similes for the seasons of life.  We still do it all the time, talking about a “December bride” or someone being “in the autumn of his years.”  These are apt similes, much like that of the Baby New Year and Old Father Time.  We grow and blossom, reap the karma of our earlier life, and close in ourselves with the narrowing of the light at the end of the year.  One significant difference, of course, is that our lives are linear, while nature recycles upon itself. (Or, as Dante contends, the life span is a parabola! See further discussion of that possibility here.) Perhaps the problem is how we look at it; if we could accept that we are part of nature perhaps we would see it differently.

Cicero, in his “On Old Age,” uses many images of old age that relate senescence to the cycles of nature.  Thus we have age as the “tranquil evening” of the life’s day, as the “autumn” or “winter” of the life’s year, as the ripening, maturing, even withering fruit of the tree of life:

There had to be a time of withering, of readiness to fall, like the ripeness that comes to the fruits of the trees and of the earth.  But a wise man will face this prospect with resignation, for resistance against nature is as pointless as the battles of the giants against the gods.

Clearly, the giants of Silicon Vally do not agree that “resistance against nature” is pointless, but more on them in my next blog.

Shakespeare starts his masterful Sonnet 73 about old age with these lines:

That time of year thou mayst in me behold

When yellow leaves, or none, or few, do hang

Upon those boughs which shake against the cold,

Bare ruin’d choirs, where late the sweet birds sang.

Latter day poets use the images of the seasons all the time to connote the ages of man; when Philip Larkin wrote his comic masterpiece about growing older, he titled it “The Winter Palace,” and ended with the image of a last December snowstorm:

Then there will be nothing I know.

My mind will fold into itself, like fields, like snow.

For more examples, revisit Chesterton’s “Gold Leaves,” or Rilke’s “Autumn.” To find more correlations between the seasons and the stages of life, just look at my (incomplete) list of poems about old age.  And please send me any of your favorite poems to add to the list. Or write one.

But, back to me and to the month of October.  I used to think I was in the October of life, but that is foolish at this point.  If I were a maple tree, my leaves would have long since been raked up and hauled away.  I am more “bare ruin’d choirs” than the rich golds and yellows of this lustrous October.  I am surely in November, and probably most of the way to Thanksgiving.  The “later twilight” of life.  Robert Frost said that sorrow was his “November Guest,” but yet appreciated the season:

Not yesterday I learned to know
The love of bare November days
Before the coming of the snow…

Yet, I can still enjoy the present October while looking over my shoulder to catch a glimpse of past Octobers, Septembers, Mays.  And forward to the dark and quiet evenings of December.

Old Folks and the Wisdom of Appreciating Little Things

Younger people sometimes make fun of their elders for the simple pleasure we find in routine – waiting for the mail, afternoon tea, watching our favorite television show, knitting a sock, dead-heading the roses.  Somehow, they think small pleasures are signs of a diminished life.  However, there is every reason to believe that these are the constituents of the good life.  Maybe this is something we learn in our old age.

You may remember that at the end of Voltaire’s Candide, that satire of the optimistic philosophy that all things are for the best, Candide counsels us that we must all simply “cultivate our own garden.”  I have always thought that it was a way of reminding us that the worth of our lives, the joy of our lives, comes from paying attention to the small things that we do every day, the things that truly make up our lives.   As I have aged and the distractions of the outside world are more easily kept at bay, I have realized what good advice this is.

My husband and I have been reading Thomas Hardy lately, and at the end of the Mayor of Casterbridge, I was quite taken by a passage which talks about the “ever-after” of Elizabeth Jane, a central character who has suffered much from the ups and downs of life:

Her experience had been of a kind to teach her, rightly or wrongly, that the doubtful honor of a brief transit through a sorry world hardly called for effusiveness, even when the path was suddenly irradiated at some half-way point by daybeams rich as hers.  But her strong sense that neither she nor any human being deserved less than was given, did not blind her to the fact that there were others receiving less who had deserved much more.  And in being forced to class herself among the fortunate she did not cease to wonder at the persistence of the unforeseen, when the one to whom such unbroken tranquillity had been accorded in the adult stage was she whose youth had seemed to teach that happiness was but the occasional episode in a general drama of pain.

While you might not agree with Hardy that life is a “general drama of pain,” we must all agree that it is no Eden either. Hardy’s “solution” was akin to Voltaire’s:

As the lively and sparkling emotions of her early married life cohered into an equable serenity, the finer movements of her nature found scope in discovering to the narrow-lived ones around her the secret (as she had once learnt of it) of making limited opportunities endurable; which she deemed to consist in the cunning enlargement, by a species of microscopic treatment, of those minute forms of satisfaction that offer themselves to everybody  not in positive pain; which, thus handled, have much of the same inspiriting effect upon life as wider  interests cursorily embraced.

This talk of the cultivation and appreciation of “minute forms of satisfaction” is brilliant, I think, – and true.  I think of the little pleasures in our life – watching “Grantchester,” espresso on Saturday night, a good pasta dinner – what would life be without them?  Hardy is skeptical enough to put a caveat in (“to everybody not in positive pain”), but generally he gives us hope.

I wrote some years ago about the wonderful book by Marion Milner, A Life of One’s Own.  It was based on a journal this amazing woman kept in an effort to try to ascertain what, really, made her happy:

I could not by direct effort feel love towards someone, or by direct effort make myself happy.  What then was entirely under the control of my will?  It seemed to me that the only thing that was even potentially so controlled was my attention.  I could not control what I saw when I looked in a certain direction, but I could, generally at least, control which direction I should look in.

And mostly, her attention and her joy were on the small moments of life.

When long-married couples are separated by death or disability, they often talk about missing the little things – the glass of wine after dinner, the game of Scrabble on Sunday afternoons, or the standing joke about who was going to wash the dishes.

Small pleasures should not crowd out the more important things in life (and this can begin to happen if we are not careful), but they should be valued for the fact that they often contribute to those more important things – chances to share love, restore our balance, touch base with who we are.

So, when young folks roll their eyes over our rituals and small attentions, just realize that they have a lot to learn.  And never neglect or take for granted the simple pleasures of life that last into old age.

In Praise of Ordinary Times

My husband and I just got back from a week away from home and are slowly getting back to… normal.  As far as I am concerned, ordinary time is a precious commodity.  While the definitions of ordinary or normal sound pretty boring – “usual, typical, expected” –  I think normal life is undervalued, and I would prefer to define it in terms like “comfortable, relaxed, and reassuring.”  We have our rituals (Thursday is shopping and laundry, Tuesday and Saturday are hike days, Saturday is movie night), but the quiet anticipation of known events nurtures me far more than waiting in crowded airports or sleeping in strange beds.

I know that I am in the minority on this.  Advice columns tell us older folks to keep trying new things, exploring unfamiliar places, stretching our wings.  We have friends who spend half their lives on cruise ships, and others who spend as much time visiting one relative or another.  I would remind everyone that if you peeled back the travel industry’s propaganda, you could find documented risks to the elderly from air travel (blood clots, etc.), cruise ships (petri dishes of germs) and relocations of any kind.   How much more likely are we to fall trying to find a strange bathroom in the middle of the night?

There is a wonderful line in the movie, Mrs. Miniver.  Suffering the deprivations, apprehensions, and demands of life in wartime Britain, Mrs. Miniver (played flawlessly by Greer Garson) thinks back to what normal life was like, and promises herself to cherish it when and if it returns.  The movie was based on a series of newspaper columns by Jan Struther, and in one of them, the writer reflects on her feelings about returning home after a holiday:

Not that she didn’t enjoy the holidays, but she always felt – and it was, perhaps, the measure of her peculiar happiness – a little relieved when they were over.  Her normal life pleased her so well that she was half afraid to step out of its frame in case one day she would find herself unable to get back.

It is true that many old folks have a tendency toward the static, toward ritual, toward constancy.  Our culture works against this and has somewhat tainted what should be one of the major joys of old age.  By now, my readers know that one of my favorite novels is Sackville-West’s All Passion Spent.  Lady Slane, elderly and retired far from children, grandchildren, and obligations, finds life’s “last, supreme luxury” to be the time to sit and reflect, to live a life of one’s own making, to enjoy one’s own quiet habits.

Some Christian churches have periods of what are called “Ordinary Time.”  Generally, they are times that are not special because they are neither just before Christmas and Easter (Advent, Lent) nor just after (Epiphany, Eastertide).  Holy Week is coming up soon, with many churches having a dozen or more services; I’m sure the rectors sometimes long for ordinary time.

Ordinary Time brings me to T.S. Eliot and his poem “Ash Wednesday.”  Eliot seems to rebuff those exhortations that we “stretch” ourselves as we grow older.  Eliot spurns such advice, quoting Shakespeare in the process:

Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

I sometimes mourn lost stamina, but I never mourn lost ambition or the impetus of “striving.”  I resist replacing forced imperatives of youth (those of employment and raising children) with self-imposed ones of old age (doing “what is expected of me” or “what is good for me”).  I want to define my own normality.  I want to stay at home and reflect like Lady Slane.  I am accused (often and even by loved ones) of being boring.  However, this agèd eagle is not bored.  And I am not afraid of ordinary times.  I am just happy to be at home among my books and chairs and pots and pans.  And my quiet thoughts.

For the value of ritual, you might try my story about Walden Pond, “Again and Again and Again.”  And, please be assured, if cruises and world tours make you happy, keep at it.  Just don’t expect me to envy you.

Dayspring Mishandled – “Remember Not the Sins of My Youth”

“Dayspring Mishandled” is a short story by Rudyard Kipling, and is also a phrase in a pseudo-Chaucer poem (“Gertrude’s Prayer”) that Kipling wrote to go with that tale.  The first stanza of that poem is as follows:

That which is marred at birth Time shall not mend,
Nor water out of bitter well make clean;
All evil thing returneth at the end,
Or elseway walketh in our blood unseen.
Whereby the more is sorrow in certaine—
Dayspring mishandled cometh not agen.

Dayspring is an old word for dawn, for the early part of the day, and Kipling’s point is that things we did, mistakes we made, in our early life cannot be corrected and may have consequences for the rest of our life.  This is both a fairly negative attitude and perhaps also a fairly true one.  How unfair it seems that decisions that we made when we were nineteen about marriage or education or conduct should have repercussions for the rest of our lives!  “Remember not the sins of my youth,” cries the 25th Psalm.  The Psalmist is talking to God, but he might as well have been talking to himself.  Who wouldn’t want to forget the transgressions of their youth?  Who can?

There are two kinds of “dayspring mishandled” that bother us, I think, as we look back from our old age.  First, we acknowledge missed chances, like not taking full advantage of our educational opportunities.  Regrets like these are ours alone, and we can usually remediate, atone, or come to peace in some way within ourselves.  Second, there is the guilt of doing things (or not doing them) that affect other people as well as ourselves.  This is a harder kind of remorse – even if we felt that we had no choice (if we wanted to survive) when we did whatever caused the pain.  Nevertheless, parents, children, spouses, friends – suffered.  I have always taken some solace from the words of Mary Oliver:

But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do—
determined to save
the only life you could save.

Of course, Mary Oliver had no children.  Your children live longer than you do, and they never forget.

Literature has often addressed this idea of coming to terms with “dayspring mishandled;” one thinks of Oedipus the King or Hardy’s Mayor of Casterbridge. Of special interest in this regard are works written by older authors, who are looking back at a long past. I recently reread T.S. Eliot’s play The Elder Statesman, his last major work, written when he was seventy and about six years before his death.  It is all about the mistakes of youth – and how they can destroy the rest of life if left to fester.  Lord Claverton (the elder statesman) laments:

Those who flee from their past will always lose the race,

I know this from experience.  When you reach your goal,

 Your imagined paradise of success and grandeur,

 You will find your past failure waiting there to greet you.

And yet, Eliot gives us a relatively happy ending.  Old Lord Calverton ends up in a rest home full of people who know the secrets he has tried to keep hidden for so many years.  The secrets come out, the children forgive, and the old man dies in peace: “I’ve been freed from the self that pretends to be someone;/In becoming no one, I begin to live. /It is worth dying, to find out what life is.”  I recommend The Elder Statesman; I think Eliot learned much between “The Love Song of J. Alfred Prufrock” and his last play.

We would like to forget our instances of dayspring mishandled, but we cannot.  Not only are the consequences very real, but as the wonderful Haruki Murakami says, “You can hide memories, but you can’t erase the history that produced them. If nothing else, you need to remember that. You can’t erase history, or change it. It would be like destroying yourself.” Ah, yes.  Not easy.  But is it at least worth hanging the dirty laundry on the line with the hope that, after all these years, sun and time will bleach out the stains?

Like all of us, I have my share of regrets, of daysprings mishandled.  Besides acceptance (easily said, nearly impossible to live), the thing that helps me is to remember that dayspring is something that happens every morning.  Each day we get a new chance and an older and wiser self with which to face the challenges and the gifts.

I am not going be specific about my regrets here. But I have often written fiction about people who are trying to realize the “ideal” of the poet James Fenton:

This is my past
Which I shall not discard.
This is the ideal.
This is hard.

Since it is Lent, you might look at my story, “Shrove Tuesday.”